I really liked the step element of this house, and I think it’s quite interesting to be aware of if you’re ever drawing the focus is the door, but the steps give grandness to the space and help frame everything. I thought it was really lovely.įabulous textures and patterns within the stone walls This was such a pretty white house with a white picket fence and then roses all around the door it reminded me of a Singer Sargent painting. The house felt like it drew you into it the dark area with the background of the trees behind, so you can’t quite see inside, adds a bit of intrigue.įrom the top: 0.2 Pentel Pointliner, 3.0 Pentel Pointliner, Pentel Brush Pen, Lamy Safari fountain Pen, Pentel Aquash water brush. I love the shape of the chimneys and how they have the curve on the angle. Then you’ve also got differences in tone, and rough next to smooth. You’ve got lots of angles coming in together, which helped give a point of focus, so it feels like it’s got real depth to it, making a nice composition. I went back to sketch this house because I really liked the textural elements I saw in the initial detail of the sash window. I love the colours on this cottage, the pops of bright pink next to powder blue it just looks so pretty. Where the sky meets the sea, the enchanting harbour is scattered with colourful fishing boats and sparkling light. The palette is crisp white and vibrant azure, dotted with pops of pinks and reds of sunny pots on doorsteps. Then you’ve got all the lovely different textural elements within the slate and stone. Dark inside the windows against the elegant white window frames.ĭiagonal textual elements from the bushes on the left, and almost a diagonal line that goes through the side climbing foliage, lead your eye to this dark area on the bottom right which helps to ground it all. What initially grabbed my eye was the contrast. Natural stone, slate, and white lime-washed simplicity, so with pen in hand, I set about capturing some of St. This small historic fishing village is nestled at the end of the Roseland peninsula on the south coast of Cornwall and is magical. 6.5-7/10.Exploring the narrow cobbled streets of St Mawes, e very turn uncovers a charming cottage or an absolutely stunning view. (The casting of Alexander Skarsgard was genius). Either way, see it before someone with less courtesy spoils it for you. In short, You will really like it, or you will hate it. It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film. It is also quite bad in the sense that it is off-the-wall bonkers. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. I meant to add so much more, but I keep giving away too much and have to go back and delete it. Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor. In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled. First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
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